HIFICRITIC Vol 16 No 2
Cover, Contents and Excerpts for Free Download
April to June 2022
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CAN MAGICO BRING ITS MAGIC TO WHAT IS – AT LEAST IN ITS OWN TERMS – A RELATIVELY COMPETITIVELY-PRICED FLOORSTANDING DESIGN? MARTIN COLLOMS HAS SPENT SOME TIME WITH THE A3 MODEL, AND IS CONVINCED IT’S ANOTHER SUCCESS
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STAN PONDERS THE RISE OF THE CLASS D AMPLIFIER, AND WONDERS WHETHER THE SNOBBERY OF SOME ABOUT THIS TECHNOLOGY IS DUE TO BE OVERTHROWN AS THE DESIGNS KEEP IMPROVING
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KEITH HOWARD TAKES AN IN-DEPTH LOOK AT ONE OF THE MOST DIFFICULT ASPECTS OF THE COMPLICATED PROCESS OF MEASURING A LOUDSPEAKER’S PERFORMANCE – EXPLORING WHAT HAPPENS IN THE LOWER FREQUENCIES
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DRAWING ON THE TECHNOLOGY OF THE FLAGSHIP CONCEPT 500 LOUDSPEAKER,
THIS FLOORSTANDER FROM Q ACOUSTICS OFFERS EXCELLENT VALUE, SAYS MARTIN COLLOMS |
HAVING LAUNCHED ITS 30 SERIES A WHILE BACK, MARANTZ HAS MOVED ON FROM ITS NEAR- CONVENTIONAL COMBINATION OF STREAMING SACD/CD PLAYER AND ALL-ANALOGUE AMPLIFIER. NOW THERE’S THIS NETWORK-ENABLED AMP – BUT IS IT AN AMPLIFIER WITH BENEFITS, OR
AN ALL-IN-ONE SYSTEM? WHICHEVER, IT’S RATHER GOOD, SAYS ANDREW EVERARD |
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