HIFICRITIC Vol 3 No 3
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July to September 2009
Distinguished by landmark assessment of Linn LP12 progress, the KEEL sub chassis is also examined. On the Digital Audio side the counterbalance comes in the shape of the DCS Paganini high end CD replay system and DAC. And famed recording engineer Jim Anderson, tells how he got his well known sound. Also note PMC, Chord Electronics, another LS3/5a and three preamps.
Postage included in prices; airmail outside UK. Local VAT, duty and handling charges are payable by the customer.
Distinguished by landmark assessment of Linn LP12 progress, the KEEL sub chassis is also examined. On the Digital Audio side the counterbalance comes in the shape of the DCS Paganini high end CD replay system and DAC. And famed recording engineer Jim Anderson, tells how he got his well known sound. Also note PMC, Chord Electronics, another LS3/5a and three preamps.
Postage included in prices; airmail outside UK. Local VAT, duty and handling charges are payable by the customer.
Download cover and contents for a closer look...
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Excerpts to download
Paul Messenger's editorial
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Does depleted uranium have a future in audio?
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After some years during which the Sondek LP12 seemed to take a back seat, LINN has introduced some major SE enhancements, including the alloy keel subchassis and the Radikal DC motor. Martin Colloms gets tangled up with the options.
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The BBC-licensed LS3/5A helped make Rogers into a global brand. Its current Far East owners have worked with UK designers and manufacturers to create this BBC-licensed 11Ohm 'revival'.
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