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 Rank: HIFI Guru Groups: Member
Joined: 9/18/2008 Posts: 479 Location: Melbourne
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hifistan wrote:dcathro wrote:I have always heard a difference with biwiring, but never one that I liked!!!
My favourite speaker cable has always been VDH revelation (second hand). I am sure there are better out there like the best Transparent and Cardas, but I won't pay that kind of money!
Solid core silver can be bought for DIY purposes relatively cheaply. This is great for wiring inside loudspeakers. I have a pair of 1 M revelation I bought as a dealer 20 years ago, still sounds good , Cardas is probably better but not by a lot. Can't really make valid comparison because my main amp is an integrated which I can't use the VDH with. But the spades keep me from using it much, afraid I will short them as they are so large. Since I got new posts on one pair of the 605s that should be a better match; I will give them another listen. The solid silver on my 100s tweeters is working so well I am going to try wiring one pair of SP 1s with all silver. Is 18 gauge satisfactory for both bass and treble units, get a better price if I buy all the same gauge? Hi Stan, The different guages sound different. I would use 21 awg to 23 awg on tweeters, and 18awg on mids and mid/bass units. 18awg will obviously work on a tweeter, but you do not get the same delicacy. I may (if I have enough) use Revelation (4awg) for wiring up my 15 inchers - bass is one of it's best properties. Cheers David
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 Rank: HIFI Addict Groups: Member
Joined: 12/22/2008 Posts: 177 Location: Istanbul
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Martin Colloms wrote:Whatever the merits of higher end cable there is no doubt about the profits made.
Generally they need no maintenance or customer support yet they have the highest margins. Dealers often state the the price competion for mainstream audio is so tough they can only get by on the cable sales.
MartinC As far as I know, one can get a 50% discount on the recommended retail price and still leave the dealer with an "acceptable" margin. This is certainly not the case with hifi components. I don;t really understand why this is so, as I would have thought cables would be the hardest sell. Or perhaps, by giving the huge discount, the customer thinks he's getting a good deal?
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 Rank: HIFI God Groups: Member
Joined: 9/18/2008 Posts: 1,013 Location: Greece
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The explanation is commonly attributed to one Phineas Taylor Barnum.
Sumer is icumen in!
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 Rank: HIFI Guru Groups: Member
Joined: 11/18/2008 Posts: 329 Location: Indiana, USA
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Cemil wrote:Martin Colloms wrote:Whatever the merits of higher end cable there is no doubt about the profits made.
Generally they need no maintenance or customer support yet they have the highest margins. Dealers often state the the price competion for mainstream audio is so tough they can only get by on the cable sales.
MartinC As far as I know, one can get a 50% discount on the recommended retail price and still leave the dealer with an "acceptable" margin. This is certainly not the case with hifi components. I don;t really understand why this is so, as I would have thought cables would be the hardest sell. Or perhaps, by giving the huge discount, the customer thinks he's getting a good deal? That may be true of some products but not the ones I have. Certainly not VDH. 50% is top discount barring specials which usually involve things that are being introduced or discontinued. It wasn't true of AudioQuest years ago when I was a dealer, it may be now. Siltech also never gave that low a price. There are products that do; in the old days I sold Supex, the 901 retailed for $175, my 4 price was $87.50. I also had a price sheet from Pickering, they had a cartridge with a "list price" of $150 that I could get for $18.75. I recently tried to get a cartridge from a company that I have purchased from previously for the "accommodation" price, which is 50% off. I intended to use it as a demonstrator but they declined to sell it to me at that price, instead offering me one at the standard rate, which is usually close to 40%. The idea that there are huge mark ups on most of the quality products doesn't apply to most of the lines I represent or could get. Stan Wallen, Alternative Audio
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 Rank: HIFI Guru Groups: Member
Joined: 2/2/2009 Posts: 267 Location: uk
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From my days in retail you could ask for 50% off cable but you wouldnt get it. The margin was similar to the best we got on electronics. But this was back in the day when you had your speaker cables made up by the dealer!
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 Rank: HIFI Veteran Groups: Member
Joined: 11/25/2008 Posts: 529 Location: UK
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hifistan wrote:Cemil wrote:Martin Colloms wrote:Whatever the merits of higher end cable there is no doubt about the profits made.
Generally they need no maintenance or customer support yet they have the highest margins. Dealers often state the the price competion for mainstream audio is so tough they can only get by on the cable sales.
MartinC As far as I know, one can get a 50% discount on the recommended retail price and still leave the dealer with an "acceptable" margin. This is certainly not the case with hifi components. I don;t really understand why this is so, as I would have thought cables would be the hardest sell. Or perhaps, by giving the huge discount, the customer thinks he's getting a good deal? That may be true of some products but not the ones I have. Certainly not VDH. 50% is top discount barring specials which usually involve things that are being introduced or discontinued. It wasn't true of AudioQuest years ago when I was a dealer, it may be now. Siltech also never gave that low a price. There are products that do; in the old days I sold Supex, the 901 retailed for $175, my 4 price was $87.50. I also had a price sheet from Pickering, they had a cartridge with a "list price" of $150 that I could get for $18.75. I recently tried to get a cartridge from a company that I have purchased from previously for the "accommodation" price, which is 50% off. I intended to use it as a demonstrator but they declined to sell it to me at that price, instead offering me one at the standard rate, which is usually close to 40%. The idea that there are huge mark ups on most of the quality products doesn't apply to most of the lines I represent or could get. Stan Wallen, Alternative Audio I don't know whether this applies specifically to the names you mention above, but most of these so-called audiophile cables are not actually manufactured by the name on the box, they are manufactured to order by much larger companies which are not household names but well known in industry. And the so-called audiophile manufacturer makes a very handsome markup on what they pay the real manufacturer. For instance, I have used Gore as a cable supplier for extreme bandwidth and temperature applications ( http://www.gore.com/en_gb/products/cables/index.html ) - yes they are the same Gore as Gore-tex - and their rep has told me explicitly that they manufacture some of the so-called super-fi cables for some well known names, at a fraction of the cost compared with what the are then sold for. I suspect you will find Gore involved in many cables featuring PTFE. But you never see it marketed as Gore, probably because they only want their names associated with real and provable characteristics of the cable. Their rep has also told me that they made up some cables with deliberately complicated structure and exotic ingredients, but still within their standard manufacturing capabilities, and just hawked it around the audiophile cable names until one of them bit and took it on as product line. No attempt was made to optimise or even assess its suitability for audio at Gore. I'm sure other big manufacturers do the same.
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 Rank: HIFI God Groups: Member
Joined: 9/18/2008 Posts: 1,013 Location: Greece
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kengale wrote:the same Gore as Gore-tex - and their rep has told me explicitly that they manufacture some of the so-called super-fi cables for some well known names, at a fraction of the cost compared with what the are then sold for. I suspect you will find Gore involved in many cables featuring PTFE. I'm sure other big manufacturers do the same. This was discussed more than a year a go. This was how Martin responded: Martin Colloms wrote:NO! We are not here to make trouble, what would we be our chances to review cable? Sumer is icumen in!
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 Rank: HIFI Guru Groups: Member
Joined: 2/2/2009 Posts: 267 Location: uk
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We have talked before about cables not being manufactured by the name on the box. We have also talked about hi-fi being a smaller industry, we are lead by computing demands etc. so this shouldnt be a surprise.
If people find cables by the big cable manufacturers that sound good then tell us. I like the Alpha PTFE silver plated copper I can get from RS. It comes in single stranded cores, so two for a mono run. Take your pick on colour schemes and how you roll them- spaced pair, with a light twist or sheathed in the nylon mesh stuff also available from RS. This almost brings us back to RS 56 strand. Do they supply other brands? Well we dont shop by label so it shouldnt matter, should it?!?! Lets not guess and just enjoy the cables for what they are.
Not all manufacturers recommend expensive cable. Look at Naim, NAC-A5 is £15 a meter. I assume their CD players etc still come with interconnect. Obviously the ARO does!
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 Rank: HIFI Guru Groups: Member
Joined: 9/18/2008 Posts: 479 Location: Melbourne
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Let's face it, our free market capitalist system works in such a way that people can make products with very high profit margins and advertise and review them to convince people to pay very large sums of money. All the tricks are played, with "pride of ownership", quality of finish - audio jewelry, outrageous performance claims, etc. Some magazines more than others have participated in the game of promoting these, but then that is their role  . I think that Critic performs it's role by providing real critical reviews that put price and performance into pespective, not in trying to expose or fight against the industry. As an individual, it is up to me to use my nouse to see what actually provides any performance benefit at a sensible price, and what is just something for bank executives :). If you don't believe that anything makes a difference, then it is even easier. Being upset about it is just silly, like being upset with people for buying Rolexs or Aston martins.
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 Rank: HIFI God Groups: Member
Joined: 9/18/2008 Posts: 1,013 Location: Greece
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Why do some people consider Rolex a prestigious brand just because they are expensive? Everyone knows Rolexes are for the nouveaux-riches. Aston Martin are a little better, but they tend to install the steering wheel on the wrong side, which is yet another utter mystery.
Sumer is icumen in!
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 Rank: HIFI Guru Groups: Member
Joined: 9/18/2008 Posts: 479 Location: Melbourne
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zonepress wrote:Why do some people consider Rolex a prestigious brand just because they are expensive? I'm just someone who doesn't wear a watch  .
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 Rank: HIFI Veteran Groups: Member
Joined: 11/25/2008 Posts: 529 Location: UK
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dcathro wrote:Let's face it, our free market capitalist system works in such a way that people can make products with very high profit margins and advertise and review them to convince people to pay very large sums of money. All the tricks are played, with "pride of ownership", quality of finish - audio jewelry, outrageous performance claims, etc. Some magazines more than others have participated in the game of promoting these, but then that is their role  . I think that Critic performs it's role by providing real critical reviews that put price and performance into pespective, not in trying to expose or fight against the industry. As an individual, it is up to me to use my nouse to see what actually provides any performance benefit at a sensible price, and what is just something for bank executives :). If you don't believe that anything makes a difference, then it is even easier. Being upset about it is just silly, like being upset with people for buying Rolexs or Aston martins. Oh dear - should I be upset with myself as I look at my trusty Rolex Oyster Perpetual? Admittedly in stainless not gold. But I must admit it doesn't tell the time any more accurately than my office radio-controlled clock at £20.
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 Rank: HIFI Veteran Groups: Member
Joined: 11/25/2008 Posts: 529 Location: UK
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ashleym wrote:We have talked before about cables not being manufactured by the name on the box. We have also talked about hi-fi being a smaller industry, we are lead by computing demands etc. so this shouldnt be a surprise.
If people find cables by the big cable manufacturers that sound good then tell us. I like the Alpha PTFE silver plated copper I can get from RS. It comes in single stranded cores, so two for a mono run. Take your pick on colour schemes and how you roll them- spaced pair, with a light twist or sheathed in the nylon mesh stuff also available from RS. This almost brings us back to RS 56 strand. Do they supply other brands? Well we dont shop by label so it shouldnt matter, should it?!?! Lets not guess and just enjoy the cables for what they are.
Not all manufacturers recommend expensive cable. Look at Naim, NAC-A5 is £15 a meter. I assume their CD players etc still come with interconnect. Obviously the ARO does! Yes the catalogues from the likes of RS, Farnell, Digikey etc can be quite an eye-opener, though traditionally RS in particular does not like to trade with private individuals. All have very wide ranging Internet sites.
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 Rank: HIFI Addict Groups: Member
Joined: 12/24/2008 Posts: 139 Location: Hereford UK
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zonepress wrote:Why do some people consider Rolex a prestigious brand just because they are expensive? Everyone knows Rolexes are for the nouveaux-riches. Aston Martin are a little better, but they tend to install the steering wheel on the wrong side, which is yet another utter mystery. I don`t think they are that expensive, I am glad they are built the way they are as they they enable me to count lap times in the Rally Aston without falling to bits from vibration
Alex H
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 Rank: Administrator Groups: Administration
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Joined: 9/19/2008 Posts: 1,158 Location: UK
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Some of the cables RS sell are excellent and great for experimentation, I remember well Belden 9272 IIRC Martin reviewed some favourably back in the mid 80s
"Quicquid Nitet Notandum"
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 Rank: HIFI God Groups: Member
Joined: 9/18/2008 Posts: 1,013 Location: Greece
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alexh wrote:I am glad they are built the way they are as they they enable me to count lap times in the Rally Aston without falling to bits from vibration That's ok, I just wanted to write something irreverent for my thousandth post which, I now see, turned me into a "God"  Thank goodness I'm not called Vespasian Sumer is icumen in!
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 Rank: HIFI Addict Groups: Member
Joined: 12/24/2008 Posts: 139 Location: Hereford UK
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zonepress wrote:alexh wrote:I am glad they are built the way they are as they they enable me to count lap times in the Rally Aston without falling to bits from vibration That's ok, I just wanted to write something irreverent for my thousandth post which, I now see, turned me into a "God"  Thank goodness I'm not called Vespasian And may you be on this Forum longer than his rule
Alex H
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 Rank: HIFI Guru Groups: Member
Joined: 9/18/2008 Posts: 479 Location: Melbourne
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zonepress wrote:alexh wrote:I am glad they are built the way they are as they they enable me to count lap times in the Rally Aston without falling to bits from vibration That's ok, I just wanted to write something irreverent for my thousandth post which, I now see, turned me into a "God"  Thank goodness I'm not called Vespasian Wow, I am not even yet a Demi God!
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 Rank: HIFI Guru Groups: Member
Joined: 11/18/2008 Posts: 329 Location: Indiana, USA
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zonepress wrote:alexh wrote:I am glad they are built the way they are as they they enable me to count lap times in the Rally Aston without falling to bits from vibration That's ok, I just wanted to write something irreverent for my thousandth post which, I now see, turned me into a "God"  Thank goodness I'm not called Vespasian Yet another occasion that I thank god I am an atheist.
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 Rank: HIFI Guru Groups: Member
Joined: 9/26/2008 Posts: 277 Location: Hasting/Crete/London
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I blame Jean Hiraga.
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 Rank: Administrator Groups: Administration
, Member
Joined: 7/15/2008 Posts: 831
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Hiraga got us going on the subtle sounds of every little bit in the chain.
He pointed to natural dynamics and audio chain simplicity very early on , a true pioneer.
MartinC
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 Rank: HIFI Novice Groups: Member
Joined: 9/20/2008 Posts: 43 Location: elsewhere
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The problem with cables is that their effectiveness depends so much on the partnering equipment that it is difficult to make generalisations. When changing hardware is it not often the case that a while later you start the slog of trying more cables in an attempt to optimise performance?
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 Rank: Administrator Groups: Administration
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Joined: 7/15/2008 Posts: 831
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The Vol4 , no1 cable investigation project has ballooned , but at this stage is dominated by RFI aspects.
While somewhat unpredictable and hard to control it is looking as if the RFI aspects are possibly the major factor, outweighing exotic materials, metals and dielectrics.
That is not to say that the latter may in some cases be associated with the RFI aspects.
For example Transparent make admittedly costly cable but do not claim exotic or expensive materials; they do claim meter by metre consistency using slow process methods, and major on RFI suppression and the matching of these associated networks to the product used.
Get this wrong and the result can be worse than non networked cable.
The variations in cable RFI transmission up to 1.5GHz are fascinating and while we will not have space for the 100plus graphs in print , once published I will post them on our site for reference
MartinC
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 Rank: Administrator Groups: Administration
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Joined: 9/19/2008 Posts: 1,158 Location: UK
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Martin Colloms wrote:The Vol4 , no1 cable investigation project has ballooned , but at this stage is dominated by RFI aspects.
While somewhat unpredictable and hard to control it is looking as if the RFI aspects are possibly the major factor, outweighing exotic materials, metals and dielectrics.
That is not to say that the latter may in some cases be associated with the RFI aspects.
For example Transparent make admittedly costly cable but do not claim exotic or expensive materials; they do claim meter by metre consistency using slow process methods, and major on RFI suppression and the matching of these associated networks to the product used.
Get this wrong and the result can be worse than non networked cable.
The variations in cable RFI transmission up to 1.5GHz are fascinating and while we will not have space for the 100plus graphs in print , once published I will post them on our site for reference
MartinC Look forward to that with interest "Quicquid Nitet Notandum"
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 Rank: HIFI Guru Groups: Member
Joined: 9/26/2008 Posts: 277 Location: Hasting/Crete/London
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When is the next issue due? I've read the last one over a few times and I'm ready to be tested on it.
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